12/1/2023 0 Comments Play neil peart from rush drummerShe had a indelible impact on my growth as a musician, and I will forever consider her my greatest hero. A drove us to strive for quality in our musicianship, and encouraged me to think creatively as a composer and musician. Arlidge, who was lost to us a couple of years after I graduated. ![]() For me, the song made me think of my high school music teacher, Mrs. They may not be famous, but they had a profound impact on us. The song Nobody’s Hero, from the album Counterparts, talked about people throughout our lives who are unsung heroes. I’ve never been one to pay super close attention to lyrics, but from time to time, something meaningful gets through. I think the guys from Foo Fighters said it best. Who the f**k lets the drummer write the lyrics?įor anyone who’s new to Rush, Neil Peart, the drummer, wrote almost all of the lyrics. To this day, I always try to play my drums as a conversation with the singer. He also talked about conceiving drum parts as musical phrases, to reply to the sung melody of a song. Peart talked about keeping it simple when the singer is singing, or when the guitarist or bassist has their solo. Rush referred to their instrumental sections of songs as “band solos” where all three guys were free to play complex, technical, and busy parts you might say, too many notes. Like my other drumming heroes such as Ringo Starr, Phil Collins, Matt Cameron, and Stewart Copeland, Neil Peart also talked about how to best serve the song. So when I took up the drums again, many years later, this philosophy stuck with me, and I strive to be more “orbital” in my playing style. But hearing about Peart’s study with jazz drummer Freddie Gruber, he talked about “orbital” playing and drumming with continuous motion, and how the beats between strokes matter just as much as the hits. Throughout the 90s and 2000s, I didn’t play the drums very much, only resuming regularly after I joined the indie rock band Beige Shelter in 2016. It wasn’t until the mid-1990s that Neil Peart truly inspired me as a drummer. Counterparts became my most overplayed album of the year. Horrible seats, horrible sound system, but wow, what a show. I followed the band closely, and saw them perform at Maple Leaf Gardens in Toronto in 1994 on their Counterparts tour. I was content to listen, absorb, read articles about the band, and attempt a synth cover version of YYZ when I was in my early 20s. I didn’t strive to be like him there was no possibility of that remotely happening. Untouchable, incomprehensible, and beyond the capacity of mere mortals like me. Neil Peart, the drumming godįor many years, Peart was simply a drumming god. Phil Collins made me want to be a drummer, but Neil Peart inspired me to be a better drummer, albeit not right away. ![]() Over the next few years, I consumed Rush’s entire back catalog, captivated by the exceptional musicianship and songwriting.Īs a drummer myself, Neil Peart impressed me beyond anything I had heard before. I expected to hear heavy metal that I wasn’t fond of, but instead I was pleasantly surprised to hear a fusion of rock, jazz, progressive, and extraordinarily well composed and performed music I was instantly hooked. I first discovered Rush towards the end of high school, after borrowing a tape of Presto from the public library on a whim.
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